Project team
Professor Neil McDonnell, Principal Investigator (PI)
Neil is Professor of Philosophy and XR Technology at UofG. With over 17 years of XR industry experience, Neil has worked on a variety of subjects ranging from the Metaphysics of Causation, philosophical issues in Safety and Engineering and has carried out a host of philosophical investigations and projects concerning Virtual, Augmented and Mixed Reality Technology. Neil is Chair of the ARC XR Operations board within UofG’s Advanced Research Centre as well as Principal Investigator of the Scoping Extended Educational Realities (SEER) Research Group.
Professor Maria Economou, Co-Investigator (Co-I)
Maria is Professor of Digital Cultural Heritage at UofG, a joint post she holds between Information Studies and The Hunterian. Previously a Co-I on EU-H2020 EMOTIVE (2016-19) and the EU-MCSA POEM ITN on Participatory Memory Practices (2018-22), Maria currently holds a British Academy/Wolfson Research Professorship (2022-2025) on ‘Emotional engagement with museum collections through digital storytelling and participatory approaches’, and a Museums Galleries Scotland grant on ‘Increasing Digital Engagement and Access to the Hunterian Collections’.
Dr Pauline Mackay, Co-Investigator (Co-I)
Pauline is Senior Lecturer in Robert Burns Studies and Co-Director of the Centre for Robert Burns Studies at UofG. As chair of Burns Scotland (recognised by Museums Galleries Scotland), Pauline works extensively with CH Partners throughout Scotland on research, curation, conservation and access to Burns-related sites and collections. An innovator in XR related to material culture, she collaborated to create the first ever Robert Burns VR experience, Burns Beyond Reality. Pauline is also Co-I and Co-Editor on the AHRC-funded project Editing Robert Burns’s Poetry and Correspondence.
Professor Murray Pittock, Co-Investigator (Co-I)
Murray is Bradley Professor and Pro Vice-Principal for Special Projects at UofG. He is Chair/Board Member of the Kelvin Hall Partnership, Scottish History Advisory to the National Trust of Scotland, and has held grants to work on Museology, Tourism and the Creative Economy, and Cultural and Public Memory. Having led on a range of national and international partnerships, Murray currently holds the AHRC award for the 2018-23 Allen Ramsay Project and is also PI of the EPSRC-AHRC Scottish national Heritage Partnership on Immersive Technology Design.
Conor Fraser, Research Assistant - 3D Optimisation
Conor is our RA in 3D optimisation. They have a B.Des. in Animation from Dundee’s Duncan of Jordanstone College of Art and Design (2016-20) and an MSc in Heritage Visualisation from Glasgow School of Art (2022-23). Before their position at UofG, they worked as a Freelance 3D Artist and Generalist within the Film and Games industries. As part of MiM, Conor's role is to optmise 3D assets through photogrammetry to ensure their efficiency and graphical fidelity. Additionally, they are tasked with creating a standarised 3D optimisation workflow (e.g. new and innovative ways of retopologising models and textures) for all 3D objects generated.
Dr Alan Matthews, Research Associate - Virtual Museum Curation
Alan is our RA in Virtual Museum Curation. He is responsible for liaising with project partners to research and establish the core functionality of the MiM platform. Alan's focus is the selection, curation and interpretation of cultural heritage objects, experiences, and narratives in Virtual Reality. His primary research interest is in the application of XR to education as reflected in his doctoral thesis, which explored the application of XR to teacher education. He has degrees in Psychology, Information Technology and Archaeology as well as research experience in heritage, health, nursing and XR.
Jennifer Park, Project Co-ordinator
Jeni has an extensive background in project management that ranges across civil service, higher education and heritage.
She also boasts experience in managing digitisation and preservation projects for fragile formats within sound, moving image and periodicals. As MiM's project co-ordinator, Jeni is responsible for co-ordinating all the administration and monitoring of the project.
Dr Lynn Verschuren, Research Associate - Digital Heritage
Lynn has a shared post at UofG as Lecturer in Museum Studies (based in Information Studies) and as our RA in Digital Heritage. Lynn is also Co-director of the Glasgow Digital Cultural Heritage Arts Lab. In her role as RA in Digital Heritage, her main responsibilies include the research and establishment of the core functionality of the MiM platform as well as the selection, curation and interpretation of cultural heritage objects in VR in line with our Cultural Heritage partners' strategic aims.
Christopher Viney, Digitisation Technician
Christopher is our Digitisation Technician with extensive UK heritage experience in archives and museums. Since completing an MSc in Information Management and Preservation at UofG, he has worked on numerous projects digitising heritage collections and will bring expertised in heritage photography and photogrammetry to MiM. Christopher also sits on the Committee for The Association for Historical and Fine Art Photography (AHFAP). For MiM, he will focus on accurate 3D digital model creation using the Rigsters Arago automated photogrammetry rig, working alongside the Research Assistant in 3D Optimisation to develop efficient workflows for populating the MiM platform with high-quality cultural heritage assets.
Fergus Bruce, Research Associate - Digital Culture & Heritage Economy
Fergus holds a dual role between MiM and project partner Edify. He has 17+ years of experience from creative industries and private sector including substantial experience with XR technology and its commercialisation, visualisation, architecture & design and cultural heritage. Working closely with Prof. Murray Pittock, his focus is MiM's economic work-package, which involves research into the market context and on ensuring an economically sustainable future for MiM outputs. This involves identifying who MiM platform users; what they will use it for; where they will use it; what value they will derive from it; and how the intersection of these streams will generate economic activity, which is an essential project outcome.
